PDF Ebook A World History of FilmBy Robert Sklar
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A World History of FilmBy Robert Sklar
PDF Ebook A World History of FilmBy Robert Sklar
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"A landmark book on our industry."
-Clint Eastwood
"A delightful book for browsing and sufficiently comprehensive for serious students. . . . Film buffs will appreciate the range and beauty of this well-written and fully illustrated movie compendium."
-Entertainment Today
Covering a wide variety of classics as well as recent films, Robert Sklar's highly informative and entertaining history of motion pictures is the standout volume in the field. With a global perspective and exceptional breadth and quality of illustrations, it authoritatively covers the technological and stylistic developments of movies in the rich context of culture, politics, society, and other arts.
777 illustrations, 212 in full color, 592 pages, 85/8 x 111/2"
- Sales Rank: #1214862 in Books
- Brand: Brand: Harry N. Abrams, Inc.
- Published on: 2001-11-01
- Original language: English
- Number of items: 1
- Dimensions: 1.55" h x 8.44" w x 12.20" l,
- Binding: Hardcover
- 600 pages
- Used Book in Good Condition
From Publishers Weekly
Legendary critic and New York University cinema studies professor Robert Sklar chronicles over 100 years of cinema in A World History of Film. Lushly illustrated with color and black-and-white photos, the book covers everything from 1920s American animation to Czech films of the '60s to Titanic. Sklar concisely explains the rise and fall of various cinematic trends documentaries and fiction films alike describing the most important films of each movement. He covers Latin American, Asian and African cinema, including early 20th-century filmmaking in Brazil and Japan.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
The beginning of film's second century has been mostly marked by a lamentable lack of quality in both American and European films. This book is a timely reminder that film remains a truly worldwide art form, nourished and renewed from diverse and unexpected sources most recently, Australia, China, and Iran. Sklar (Movie-Made America: A Cultural History of American Movies) here attempts the impossible, compressing over 100 years of film history into one oversized volume. He surveys output and trends from most major countries over the decades while providing a time line that describes other news and cultural events. Sidebars also highlight topics like independent films, gay and lesbian cinema, the new women directors, method acting, and much more. More a chronological study than an encyclopedia, this book will be useful to beginners seeking to clarify basic film concepts like neorealism or "new wave." The author's need to say something about everything contributes to a rather bland tone, and he certainly cannot do justice to directors like Spielberg, Hitchcock, or Ford in a few paragraphs. Photographs are the main attraction, and some have a wonderfully candid quality, like one showing Ingmar Bergman setting up a shot for The Seventh Seal while an actor playing the figure of Death relaxes on a nearby boulder. Up-to-date and enhanced by a glossary of film terms, this book will serve as an introductory study for film students. Recommended for large academic and public library film collections. Stephen F. Rees, Levittown Regional Lib., PA
Copyright 2002 Reed Business Information, Inc.
From Booklist
Sklar tackles the daunting task of encapsulating more than a century of cinema within the pages of a single, admittedly massive volume, and he succeeds impressively. Beginning with such precursors of cinema as the magic lantern and such pioneer filmmakers as the Lumieres and Griffith, Sklar thereafter chronicles the rise of Hollywood, the development of genres, the advent of sound, and modern developments, right up to Pixar and the Farrelly brothers. As accomplished as Sklar's treatment of American film is, it is his genuinely global reach that distinguishes the book. Here are lengthy sections on European and Soviet silents, Italian neorealism, and the French New Wave, and timely accounts of today's vital Iranian and Chinese cinemas. Chapters on documentaries and the avant-garde and thorough coverage of the business side of the industry also bespeak Sklar's broad perspective. Well-selected photos profusely enhance the incisive text. Although a tad pricey, this comprehensive, up-to-date, single-volume resource is an asset for public libraries, small and large, that will be hard to better. Gordon Flagg
Copyright © American Library Association. All rights reserved
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